I'm trying to get into Bud Powell. I've tried many times before. While I've been able to appreciate how good he is, his music just never really "grabbed" me. I'm beginning to dig it more as I get older. Thanks to Graeme Norris & James Sherlock for subliminally getting me into him over the years... and that famous Kurt Rosenwinkel interview ("do you pretend to play modern jazz?").
I got into this tune through James Sherlock's new CD, Domestic Arts. I then proceeded to check out the original, on Bud Powell's Jazz Giant (1949), which is where this transcription is from. I also found another version in my library from Kenny Kirkland's album - I'll probably do that one at a later date!
Bud Powell - Celia (Concert)
Bud Powell - Celia (Bb) (just for you, Graeme!)
I had a "Kenny Barron Sunday" and followed it up with a "Bud Powell Monday". The opening break inspired me just before I left home to accompany some trumpet exams. Decided to do the rest after watching The Simpsons...
15 November, 2010
11 October, 2010
John Coltrane's solo on Lazy Bird
While I've always liked the tune Lazy Bird (from Blue Train, 1957), I've never been able to play it very well. I spent a lot of yesterday afternoon practicing it rather academically as well as attempting to play something decent over it to no avail; could've just been having a bad day. Anyway, before I went to bed last night, I decided that an effective way to learn this tune would be to transcribe Coltrane's solo. Yes, it's probably been done hundreds of times before and easily found through google/in a sax transcription book, but I wanted to do it myself.
After hearing it a few times and then transcribing it, I've got to say that this is one of my favourite solos of that era. It's classic late-50s, pre-Giant Steps Coltrane - you can hear his signatures all over it. I have included a PDF of the solos in landscape orientation with 8 bar phrases stacked on top of each other - this makes it easier to compare his approaches to each section. Certain phrases/devices pop up more than once, and there's lots of bebop scale usage.
Notes:
- I am a pianist, not a horn player. Hence a lot of my "runs" up/down notes, fall offs, scoops etc. might be written differently to how a saxophonist writes them. My instrument can't scoop/slide, hence I have to compensate by writing these things a certain way.
- No articulations. This is just a note/basic rhythmic guide - you'll have more fun listening to it, learning & adding them yourself! :D
- I learnt most of this by ear, one section at a time & on my instrument, then wrote it straight into Sibelius. That said, I haven't proof read it very thoroughly but I'd say it's reasonably accurate. I was just excited to get it done and wanted to publish it. Make your own corrections. Some enharmonic choices may be disagreed upon.
- Sorry if the formatting for the Bb parts isn't as neat/good as the concert. It's still usable though!
03 September, 2010
Brad Mehldau - Not You Again (There Will Never Be Another You) solo
Alright, so looks like I lied yesterday about it being my last post for a while. Once you get into a rhythm working with Sibelius, you get pretty quick at inputting things and might as well keep going! This is definitely it for at least a week or so... I gotta practice this stuff!!!
Not You Again is a John Scofield contra-fact over the changes of There Will Never Be Another You. It can be heard on the 2000 album, Works For Me. My ensemble director back in my first year of undergrad (2003), Jamie Clark, had us playing this tune and urged us to check out the album and its "dream band": John Scofield, Kenny Garrett, Brad Mehldau, Christian McBride & the late Billy Higgins. Jamie, you were onto something!
Listen to Brad's solo
Click here to view WITH chord symbols (my interpretation) over his LH superimposed chords
Click here to view WITHOUT chord symbols over his LH superimposed chords
As you can see from the date stamp, I first transcribed this YEARS ago (stayed up all night doing it, much to the annoyance of my parents). Tinkered around with it to make my ego feel good that I had worked out something "hip", although I never really studied it properly - I was 18 at the time and terrified of what I was hearing. I decided to take another look at it today so I could clean it up (my LH chords in the 2nd chorus were way off), put it through Sibelius and post it on this blog. 6.5 years on, and it still scares me... although thankfully not as much! I still don't really know what's going on in the 2nd chorus, but at least I'm now in a better position to try and work it out! :-)
I tried to transcribe McBride's bass line too, but didn't get very far (hard to hear the pitches clearly, especially when he sometimes gets lost in the mix with the drums). From what I can hear overall, he mostly sticks to the changes as written.
Anyway, enjoy this one. If anyone can shed some light on what sort of "concept" Brad is using to reharmonise the 2nd chorus, leave me a comment. Cheers!
Not You Again is a John Scofield contra-fact over the changes of There Will Never Be Another You. It can be heard on the 2000 album, Works For Me. My ensemble director back in my first year of undergrad (2003), Jamie Clark, had us playing this tune and urged us to check out the album and its "dream band": John Scofield, Kenny Garrett, Brad Mehldau, Christian McBride & the late Billy Higgins. Jamie, you were onto something!
Listen to Brad's solo
Click here to view WITH chord symbols (my interpretation) over his LH superimposed chords
Click here to view WITHOUT chord symbols over his LH superimposed chords
As you can see from the date stamp, I first transcribed this YEARS ago (stayed up all night doing it, much to the annoyance of my parents). Tinkered around with it to make my ego feel good that I had worked out something "hip", although I never really studied it properly - I was 18 at the time and terrified of what I was hearing. I decided to take another look at it today so I could clean it up (my LH chords in the 2nd chorus were way off), put it through Sibelius and post it on this blog. 6.5 years on, and it still scares me... although thankfully not as much! I still don't really know what's going on in the 2nd chorus, but at least I'm now in a better position to try and work it out! :-)
I tried to transcribe McBride's bass line too, but didn't get very far (hard to hear the pitches clearly, especially when he sometimes gets lost in the mix with the drums). From what I can hear overall, he mostly sticks to the changes as written.
Anyway, enjoy this one. If anyone can shed some light on what sort of "concept" Brad is using to reharmonise the 2nd chorus, leave me a comment. Cheers!
02 September, 2010
More Mulgrew Miller tunes!
No more Mulgrew solos for now... but can you dig more Mulgrew tunes?
Soul-Leo, from 1987's Wingspan, is in that 60s Blue Note "funky" kinda vein, but with a slightly bent bridge. I think I transcribed this one just for the hell of it.
Soul-Leo
Somewhere Else & New Wheels are both from 1993's With Our Own Eyes. It looks like this one is out of print as it doesn't seem readily available on Amazon, nor is it on iTunes. Let me know if you've really got your heart set on getting a hold of this recording though. Somewhere Else sounds very McCoy-ish to me - I like the "crunchy" harmony. New Wheels is a chromatic rhythm changes head. Chromatic lines never cease to baffle me, so I thought I'd write this one out (only had to work out 16 or so bars!).
Somewhere Else
New Wheels
This will be my last post for a while until I input more things I've written down (yes, with a pencil and manuscript!) into Sibelius. I might scan, or even input into Sibelius, some old transcriptions I did by hand years ago too. Most of what I've uploaded in the past couple of days has been done over the past 6 weeks, so my rate of posting will most definitely slow down in comparison to the past 24 hours! Hope you enjoy what I've put up so far.
Cheers
Damo
Soul-Leo, from 1987's Wingspan, is in that 60s Blue Note "funky" kinda vein, but with a slightly bent bridge. I think I transcribed this one just for the hell of it.
Soul-Leo
Somewhere Else & New Wheels are both from 1993's With Our Own Eyes. It looks like this one is out of print as it doesn't seem readily available on Amazon, nor is it on iTunes. Let me know if you've really got your heart set on getting a hold of this recording though. Somewhere Else sounds very McCoy-ish to me - I like the "crunchy" harmony. New Wheels is a chromatic rhythm changes head. Chromatic lines never cease to baffle me, so I thought I'd write this one out (only had to work out 16 or so bars!).
Somewhere Else
New Wheels
This will be my last post for a while until I input more things I've written down (yes, with a pencil and manuscript!) into Sibelius. I might scan, or even input into Sibelius, some old transcriptions I did by hand years ago too. Most of what I've uploaded in the past couple of days has been done over the past 6 weeks, so my rate of posting will most definitely slow down in comparison to the past 24 hours! Hope you enjoy what I've put up so far.
Cheers
Damo
Hank Mobley & Wynton Kelly - Remember solos
Here are Hank Mobley & Wynton Kelly's solos from the opening track of 1960's Soul Station. Love this album - it's usually one I just enjoy listening to but I'm now starting to check it out on more than a surface level, just to work out what makes it hip.
Hank's solo (Bb)
Hank & Wynton's solos (concert)
Sorry if the Bb PDF is a bit messy - it was just a quick cut/paste job from the concert chart. Didn't go through and check if there were any Cb/E#s either, but I'm sure you'll be fine with it. Also, with regards to the rhythmic placement of things (laying back/pushing/wailing), I haven't made any markings and the wailing sections may be slightly inaccurate. However, as with any transcription, this is just a guide and if you wanna nail it, check it out with the recording.
Hank's solo (Bb)
Hank & Wynton's solos (concert)
Sorry if the Bb PDF is a bit messy - it was just a quick cut/paste job from the concert chart. Didn't go through and check if there were any Cb/E#s either, but I'm sure you'll be fine with it. Also, with regards to the rhythmic placement of things (laying back/pushing/wailing), I haven't made any markings and the wailing sections may be slightly inaccurate. However, as with any transcription, this is just a guide and if you wanna nail it, check it out with the recording.
Mulgrew Miller - Small Portion
Just the tune. It's from With Our Own Eyes, which I believe was recorded around the same period as the classic Hand in Hand (1993). Both of these albums are killer.
I particularly like this tune for a couple of reasons. Even though it's a conventional AABA form (how I hear it anyway), there's a few twists here and there (e.g 6 bar A sections, extended B section). Furthermore, the harmony is pretty straight-ahead, yet used effectively within this style/context with nice modulations and a great tune to boot. The slight feel change in the B section (basically a pedal during the long Maj7 chords) and all the hits (suggested by the melody if not marked above) help "make" the tune. Check out the recording if you can find it!
Mulgrew. Solidly kicking arse for 25+ years!
Marc Copland - Dark Territory
A Marc Copland original. I was really into his stuff for a while (still am), but have never really sat down and tried to work out his concept (on the to do list, eventually). I should really revisit this transcription as it looks like I've got some of the voicings down too! Totally dig his album Haunted Heart & Other Ballads (2001), especially Drew Gress's sound.
Click here to view
Click here to view
Kenny Barron - The Pelican
Great tune, brisk & fun. From Kenny's Spirit Song (1999).
Click here to view
It'll be fun to play on a gig one day!
Click here to view
It'll be fun to play on a gig one day!
Joel Frahm - Away From Home
Just the tune. I think this was transcribed for the same gig as When We Met. 'Twas a very mellow set as I recall. This is from Joel Frahm & Brad Mehldau's duo recording, Don't Explain (2004).
A beautiful tune.
James Williams - Alter Ego
This is just the head for James Williams' tune, Alter Ego. Pretty sure there's an LP of the same title too. First heard this tune on Kenny Barron's Live At Bradley's (1996), and then on Roy Hargrove's The Vibe (1992).
Click here to view
I've enjoyed playing this one on gigs. Kenny Barron uses a voicing based on 5ths to harmonise the long tones of the melody (e.g Am11 = LH A E B / RH C G D) and the ending. Roy Hargrove has 3 horns harmonising the melody in 3rds (e.g G B D for the first D of the tune).
Click here to view
I've enjoyed playing this one on gigs. Kenny Barron uses a voicing based on 5ths to harmonise the long tones of the melody (e.g Am11 = LH A E B / RH C G D) and the ending. Roy Hargrove has 3 horns harmonising the melody in 3rds (e.g G B D for the first D of the tune).
Wynton Kelly - This I Dig Of You solo
Wynton Kelly's solo on This I Dig of You, from Hank Mobley's Soul Station (1960). RH only (Marc!!!). :)
Checked it out because I like some of Brad Mehldau's early playing, such as on the Fresh Sound New Talent label and with Peter Bernstein and Grant Stewart. To me, he sounds like a turbo-charged Wynton Kelly. Hence, checkin' out some Wynton Kelly for myself!
01 September, 2010
Marc Copland - When We Met
I transcribed this back in 2008 for a duo set I was performing with James Sherlock. It's from the Kenny Wheeler/John Abercrombie/Marc Copland album That's For Sure (2001).
I haven't listened to the original recording in a while, but I'm pretty sure the solo form I wrote out is different to what those guys do. I think they vamped a few chords suggested from the melody, and each soloist had a different set... I really can't remember. Fairly sure I just used the tune's form as the solo form.
Cheers
Damo
Mulgrew Miller - If I Should Lose You solo
Here is Mulgrew Miller's intro (where the band comes in) & solo on If I Should Lose You, from Live at the Kennedy Center Vol. 1 (2006).
In the event of an error, fix them for yourself. If you feel it's a major error, let me know!
Cheers
Damo
First post
Hi everyone
I will be using this blog to post transcriptions I've done of jazz tunes/solos.
About me: Damian Sim, 25 year old pianist based in Brisbane, Australia. Favourite vegetables include carrots, baby broccoli, broccoli, cauliflower and snow peas.
Cheers
Damo
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